These past weeks I've been fishing around for another project of the non-Nicholson variety. The Nicholsons of Richmond, Quebec are my husband's ancestors and I found 500 of their letters from 1908-1919 and I wrote a few ebooks using these letters.
Threshold Girl, Diary of a Confirmed Spinster, A Laurier Era Family and Not Bonne Over Here, the WWI letters of the Nicholsons.
Because Margaret Nicholsonand her daughters were very interested in the woman suffrage movement back in 1910, clipping all kinds of stories from the Montreal Standard, Herald and Witness, I got interested in that quasi-censored episode of herstory and researched all there was to research and wrote Furies Cross the Mersey (about the British Invasion of Suffragettes to Montreal in 1912/12) and Service and Disservice, about the Canadian suffragists and their iffy involvement in the Conscription Crisis of WWI.
I have to keep busy, you know, but I've had enough with genealogy.
I've been auditing online law courses, environmental law, human rights law, so I thought I might write about Annie Langstaff and the other pioneering lady lawyers in Canada.
That, too, is a forgotten feminist tale.
Then, it suddenly occurred to me that I might write about Montreal author and suffragist, Frances Fenwick Williams,who is a character in many of my ebooks.
I know a lot about her and her writing. Yet, she remains a bit of a mystery.
Frances Fenwick Williams was McGill's Dr Andrew Macphail's secretary in and around 1907, helping him edit the conservative University Magazine, even contributing to it, occasionally. (I must check the issues at McGill).
As it happens, John McCrae, the author of the famous WWI poem In Flanders Fields, who died in 1918 of pneumonia in the war, also contributed to the same magazine.
I just learned that the original In Flanders Fields is held in the Macphail fonds at McGill, because it was Macphail who discovered the poem. Supposedly, it had been written by McCrae,while in Flanders in 1915, then handed to a fellow soldier . (So the story goes. See the Heritage Minute on YouTube.)
Andrew Macphail, also serving there as a medic, although over 50, retrieved the unsigned poem at the headquarters/convent near Ypres and immediately recognized the literary style as McCrae's. (So he says.)Well, he recognized that the sonnet was identical in construction to another McCrae poem, The Night Cometh. (You would think the handwriting would have been the real give-away.)
The poem was published in Punch in December 1915 in the UK . No by-line apparently.
Why, I wonder. McCrae was an amateur poet who enjoyed getting published.
Macphail says in his essay about McCrae that the poem was sent into Punch in the regular way, by mail, with a self-addressed stamped return envelope. (He doesn't say he sent it in, but it sure sounds like it.)
Now, if you read my Service and Disservice you will learn how that poignant patriotic poem was used by certain Montreal suffrage leaders in July, 1917, to signal in the Press their support for Premier Borden and Conscription.
It was the ideal recruitment poem but with an anti-war feel to it, too.
(I've loved In Flanders Fields since I heard it recited on the CBC in the 1960's - and so well. I realized - then and there - that HOW you read a poem is very important.)
My husband's uncle from the other side of the family brought his shell casing back from WWI. His family used it as a doorstop. Funny, we humans....Reminds me of the poem Highgate, not a poem used to promote patriotism, but a cynical poem written during WWI predicting future careless War Tourism.